July in Stirling, Scotland

Let’s be honest. You probably aren’t going to read this whole article. But what if it was read to you out loud while driving to work, working out at the gym, or completing chores around the house? Better yet, imagine listening to a smooth, relaxing voice like Morgan Freeman’s. You’d be hanging on to every word, and ready for the next episode immediately after…Welcome to the world of Podcasting.

This module will give you an insight into developing, proposing, pitching and producing audio content to be distributed as podcasts. In this module, we will work on creating a short factual podcast using the power of your voice, soundscapes that transport the listener and seamlessly blended music to create that moment. We will guide you on scripting, voice technique and narrative construction so that your podcast has an impact on your audience.

From the hills covered in purple heather to the glorious light at sunrise, almost every vista is an invitation to the enthusiastic visual journalist. This module will enable you to appreciate the environment and enjoy the natural beauty of Scotland, while learning and developing your skills at landscape photography. You will learn the practice of landscape photography, and also the theory and principles. This module will run as a condensed module with classes running weeks 2-4 of Block 2.

Note: This course is TBC due to unforeseen circumstances. Please check back for updates at a later date. 

Post-production is the phase in the film production process where stories come together. Images and sound are combined to build the narrative and craft what the viewer will experience. Editing involves technical skills, but crucially it is a creative process, in which each decision will impact the style and substance of the completed film.

In this module, you will learn both the creative and technical aspects of editing. You will be taught by an experienced industry professional, who will guide you through the art of post-production. You will be taught in a small group, using industry standard software and equipment, and working with material both from broadcast shows and award-winning student work. By the end of the module, you will have a confident grasp of technical skills, the techniques of visual storytelling and how sound and pictures come together to create an impact for a viewing audience.

This module is designed to introduce students to the subject of Criminology through the lens of the Scottish Criminal Justice System. The module begins with an overview of the Scottish Criminal Justice System before examining the major avenues by which the public obtain information about crime – as victims of crime and from the media and official statistics. The module examines the processes that have developed our definitions of crime and the broader social and political context in which this crime occurs. In addition to this, the course provides the opportunity for students to engage in discussion with a Scottish Prison Service Warden, allowing a deeper understanding of punishment in Scotland and the incarceration of offenders.

Excursion(s): This module includes a visit to the Surgeon’s Hall in Edinburgh to discuss the criminal case of Burke and Hare, and the inspiration for Arthur Conan Doyle’s famous detective, Sherlock Holmes.

As Scotland’s University of Sporting Excellence, the University of Stirling is the perfect place to learn about the integration of culture, management and sport. The aim of this module is to teach you about how sport is managed in Scotland and in the UK mode widely, and about how it is incorporated into the thread of Scottish culture. The module will include a mixture of lectures and seminars accompanied by academic field trips, providing you with an understanding that sport is influenced by cultural traditions, social values and economic factors.

From sparkly vampires to blockbuster monsters, gothic tropes appear to be all-pervasive in contemporary culture. As Catherine Spooner claims in Contemporary Gothic (2006), like ‘a malevolent virus, Gothic narratives have escaped the confines of literature and spread across disciplinary boundaries to infect all kinds of media, from fashion and advertising to the way contemporary events are constructed in mass culture’. What this course aims to do is to introduce students to Gothic’s literary expression in the British nineteenth century, before exploring the many ways in which this dark heritage continues to affect contemporary cultural production.

Focusing on three key texts from the nineteenth century, Frankenstein (1818), The Strange Case of Dr Jekyll and Mr Hyde (1886) and Dracula (1897), this class will discuss their adaptation, appropriation and influence on popular narratives such as those found in fiction, film, tv, fashion and music video. Some of the contemporary texts we will be drawing upon will be Twilight (book & film), True Blood (book & tv), Buffy the Vampire Slayer (film & tv), Scream (film), Supernatural (tv), Marilyn Manson (music), Interview with a Vampire (book & film), Blade (film), Blairwitch Project (film) etc.

Excursion(s): A visit to Edinburgh Dungeon and a gothic themed bar are included.

This course is designed to introduce students to key theoretical debates that have emerged in the study of Scotland’s relationship with the film and television industries. Important questions we will consider include: Who is responsible for constructing Scotland’s identity onscreen? How are Scotland and Scottishness depicted? Why do certain representations dominate over others?

The course will begin by exploring ‘Hollywood Scotland’, concentrating on the commercial cinematic representation of Scotland and Scottishness found in Mel Gibson’s Braveheart (1995). This will then be contrasted with a more local construction of Scotland found in the long running television show Taggart (ITV, 1983-2011). The final weeks will conclude by considering filmmaking in contemporary Scotland, first through contemplation of the importance of short films in the Scottish context, focusing in particular on the shorts and careers of Lynne Ramsay, Peter Mullan and Morag McKinnon, and second through examination of the Scottish/Danish co-produced ‘Advance Party’ initiative.

Excursion(s): You’ll have the opportunity to visit a celebrated screen location or meet a Scottish filmmaker.

The module aims to explore the purposes of education and how this translates into curriculum offerings within the Scottish Education system in the context of the UK. The module will also consider the issues of learners’ identities within pre-school, primary, secondary and further education.

Excursion(s): This module normally will include a visit a local school to observe Scottish education in action.

This module is designed to provide you with a comprehensive understanding of the significance of adequate eating habits for promoting a healthy lifestyle. The module will cover various aspects of nutrition, including macro and micronutrient contents in diet, energy balance, and the impact of age, physical activity, and dietary patterns on food choices.

The course aims to provide students with an understanding of the nutritional value of food and the benefits of making informed dietary choices. Furthermore, you will learn about Scottish traditional dishes and culinary culture, which will enhance their knowledge and appreciation of food culture.

By the end of the module, students will have gained the necessary knowledge and skills to identify dietary choices that promote healthy living. The module will equip you with the necessary knowledge and skills to make informed dietary choices that contribute to a healthy and sustainable lifestyle.

As Scotland’s University of Sporting Excellence, the University of Stirling is the perfect place to learn about the integration of culture, management and sport. The aim of this module is to teach you about how sport is managed in Scotland and in the UK mode widely, and about how it is incorporated into the thread of Scottish culture. The module will include a mixture of lectures and seminars accompanied by academic field trips, providing you with an understanding that sport is influenced by cultural traditions, social values and economic factors.

Fears of extra-terrestrial invasion and nuclear apocalypse, of seemingly strange and alien civilizations, and of social, economic, and cultural collapse belie SF’s trash label. This course introduces you to the genre’s deep philosophical dimensions, tracing its progress through the pulp magazine during the late-Nineteenth century fin de siècle and early Twentieth-century inter-war periods in the United Kingdom and the United States respectively, and its later development across the so-called Iron Curtain during the Cold War. This course will also challenge the traditional conventions of Science Fiction – interstellar conflict with alien races – and explore the genre’s diverse progressions: into Ecocriticism, Feminism, sexuality, and the near-future ‘Post-SF’ of the urban and suburban present.

This module has been designed to help students realise their creative potential by producing original and stimulating short fiction. Teaching will consist of specialist workshops conducted by an expert in the field. In addition to engaging with practical aspects of craft and technique, students will learn how to create believable, compelling characters and how to make them live (and die!) on the page. They will also have the opportunity to visit sites of historic importance and natural beauty to inspire their writing.

Excursion(s): The module includes a live ‘reading’ at a leading local arts centre, where you’ll have the chance to share the stage with a prominent Scottish writer.

Develop a critical understanding of the Celtic world in this interdisciplinary program drawing on archaeological, historical, literary and mythological sources. A unique course that will enable you to develop critical thinking skills in relation to the concept of religion whilst exploring more recent trends within the study of religion such as material religion and implicit religion to develop an in-depth knowledge, understanding and appreciation of Celtic religion, folklore and mythology from Ireland, Scotland and Wales (the Celtic fringe). This course is taught exclusively by a scholar from Ireland who speaks the indigenous language and has training in older forms of the Irish language, although no prior knowledge of the Celtic languages is required or necessary to take and succeed in this course.

From the Classical age to the 21st century, Celts have fascinated and frightened people. This course explores the evolving way Celtic people lived and died, what they believed and why, different ways in which Celtic peoples have been perceived by outsiders, the ways in which Celts have presented themselves to the world and considers why there has been a revival in 21st century of Celtic faiths. In answering these questions you be introduced to the pre-Christian beliefs of the Celtic and Indo-European worlds, to the historical narratives in which such beliefs are embedded, and to the methodology of investigating ancient and medieval belief systems. You will also explore the impact of Christianity in different eras upon the Celtic religions, folklore and mythology through the recurring themes of freedom and independence, especially in relation to the warrior and druid types, signs and symbols and the materiality of the land.

Following an educational field trip to the Scottish Crannog Centre and an ancient stone circle in Aberfeldy you will have the opportunity to consider and respond creatively to the notion of a “sacred landscape” and develop a more in-depth understanding of how legends and mythology become attached to and rooted within sacred sites.

Excursion(s): Course includes one excursion. Details to come.

From sparkly vampires to blockbuster monsters, gothic tropes appear to be all-pervasive in contemporary culture. As Catherine Spooner claims in Contemporary Gothic (2006), like ‘a malevolent virus, Gothic narratives have escaped the confines of literature and spread across disciplinary boundaries to infect all kinds of media, from fashion and advertising to the way contemporary events are constructed in mass culture’. What this course aims to do is to introduce students to Gothic’s literary expression in the British nineteenth century, before exploring the many ways in which this dark heritage continues to affect contemporary cultural production.

Focusing on three key texts from the nineteenth century, Frankenstein (1818), The Strange Case of Dr Jekyll and Mr Hyde (1886) and Dracula (1897), this class will discuss their adaptation, appropriation and influence on popular narratives such as those found in fiction, film, tv, fashion and music video. Some of the contemporary texts we will be drawing upon will be Twilight (book & film), True Blood (book & tv), Buffy the Vampire Slayer (film & tv), Scream (film), Supernatural (tv), Marilyn Manson (music), Interview with a Vampire (book & film), Blade (film), Blairwitch Project (film) etc.

Excursion(s): A visit to Edinburgh Dungeon and a gothic themed bar are included.

The purpose of this course is to introduce students to the sociological and analytic study of religion, identity, conflict and violence within a local, national and global context. It will examine issues such as nationalism, colonialism, international affairs and the role of those charged with reporting such conflicts. Extensive attention will be paid to the representation of religious conflict in the arts, such as literature and films, alongside a detailed examination in of the violent groups that have arisen as an apparent reaction to religious fundamentalism as a rising narrative of a new cultural war.

Excursion(s): Students will attend a guided visit to Stirling Castle.

The module aims to provide students with an understanding of the origins, main features and impact of the Jacobite movement, and aims to place Scotland’s experience of Jacobitism within its wider British and European context. It seeks to deepen historical and transferable skills already acquired or to assist students coming to history as a discipline for the first time in acquiring such skills. You will look at the societal changes that occurred in Scotland in the 18th Century, the Jacobite rebellions and the Enlightenment period. You will learn how to collect, evaluate and use sources to support a historical case and evaluate conflicting historical interpretations.

For the past decade, Scotland’s national status has been ‘both dangled before us and tantalizingly withheld’ (poet Don Paterson). With attention focused on the question of independence, recent debates concerning Scottish culture and identity gain a heightened political charge. Literature has not only reflected but actively shaped such debate. In the year the new Scottish Parliament was established (1998), Christopher Whyte argued that ‘in the absence of elected political authority, the task of representing the nation has been repeatedly devolved to its writers’. But what influence have writers played in recent political change, and to what extent has Scottish culture escaped its own stereotypes?

This course examines the literary and political currents shaping contemporary Scottish identity, introducing students to key twentieth- and twenty-first century texts. We encounter and explain a range of cultural debates concerning language, class, democracy and nationhood, attending to the urgency as well as the complexity of recent Scottish writing.

Excursion: There will be an excursion to Edinburgh, visiting the Scottish Parliament building and Scottish Writers Museum.

Between 1563 and 1736, during years of political and religious turmoil, around 4,000 people were accused of witchcraft in Scotland. This module will examine this significant aspect of Scottish history, looking at the phenomenon of witchcraft belief as part of early-modern culture, as well as its prosecution. Other themes that will be covered include: religion, popular culture, law and order, illness and death, community tensions and gender issues. We will also consider the continuity and development of ideas about magic and witchcraft.

The module aims to provide students with a thorough understanding of the phenomena of witchcraft belief and prosecution in Scotland between the sixteenth and eighteenth centuries. The focus of the module will be mostly on social and cultural themes but an understanding of the political, economic and religious context will be important.

Excursion(s): This module will visit the village of Dunning, Maggie Wall’s monument near Dunning, Robert Kirk’s burial site and the Fairy Tree at Aberfoyle, all sites related to early modern witchcraft in Scotland.

This module explores contemporary issues and debates that shape world politics today. It starts by introducing International Relations (IR) theory before turning to two broad themes that dominate IR: conflict and peace. We will apply these themes to a case study of the Northern Ireland conflict exploring the key political developments and the transition to a post conflict settlement. This module will also include a workshop that examines the use of wall murals to articulate conflict/post-conflict identity in Northern Ireland.

Excursion(s): This module includes a day trip to St Andrews, where we’ll undertake a tour of Scotland’s Secret Bunker – an underground compound built to safeguard Scotland during the Cold War.

Recent advances in feminist and LGBT+ liberation movements have had a visible and global impact on culture, literature, politics and commerce. This module examines gender and sexuality in a Scottish context. As binary understandings of gender and sexuality are increasingly shown to be outdated and outmoded, developments in our understanding of gender and sexuality are making headlines and becoming a regular part of our daily discourse in both our social and working lives. This course enables students to apply their knowledge of identity politics to a dynamic range of relevant texts.

The texts in this module examine the decline of traditional, industrialist, ‘hard man’ masculinities in Scotland. Through an exploration of dynamic, contemporary and highly acclaimed texts, this course examines broken masculinities, resistant femininities, and resurgent Scottish LGBT+ fictions. A select range of relevant secondary sources will accompany this exploration of primary literature, introducing students to iconic theorists, as well as relevant contemporary critics examining Scottish literature from a gendered perspective.

The purpose of this course is to introduce students to the sociological and analytic study of religion, identity, conflict and violence within a local, national and global context. It will examine issues such as nationalism, colonialism, international affairs and the role of those charged with reporting such conflicts. Extensive attention will be paid to the representation of religious conflict in the arts, such as literature and films, alongside a detailed examination in of the violent groups that have arisen as an apparent reaction to religious fundamentalism as a rising narrative of a new cultural war.

Excursion(s): Students will attend a guided visit to Stirling Castle.

For the past decade, Scotland’s national status has been ‘both dangled before us and tantalizingly withheld’ (poet Don Paterson). With attention focused on the question of independence, recent debates concerning Scottish culture and identity gain a heightened political charge. Literature has not only reflected but actively shaped such debate. In the year the new Scottish Parliament was established (1998), Christopher Whyte argued that ‘in the absence of elected political authority, the task of representing the nation has been repeatedly devolved to its writers’. But what influence have writers played in recent political change, and to what extent has Scottish culture escaped its own stereotypes?

This course examines the literary and political currents shaping contemporary Scottish identity, introducing students to key twentieth- and twenty-first century texts. We encounter and explain a range of cultural debates concerning language, class, democracy and nationhood, attending to the urgency as well as the complexity of recent Scottish writing.

Excursion: There will be an excursion to Edinburgh, visiting the Scottish Parliament building and Scottish Writers Museum.

As Scotland’s University of Sporting Excellence, the University of Stirling is the perfect place to learn about the integration of culture, management and sport. The aim of this module is to teach you about how sport is managed in Scotland and in the UK mode widely, and about how it is incorporated into the thread of Scottish culture. The module will include a mixture of lectures and seminars accompanied by academic field trips, providing you with an understanding that sport is influenced by cultural traditions, social values and economic factors.